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RILA

Rome Institute of Liberal Arts offers undergraduate and graduate interdisciplinary courses on great books while exploring the art and architecture of Rome

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  • Locations

    Student apartments in the historic center or its immediate vicinity, so you can make Rome your classroom.

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  • Undergraduate Courses

    Discussion based classes on philosophy, literature, and history are designed together with excursions led by art historians and classicists through Italy’s artistic heritage.

    Undergraduate Courses
  • Admissions

    RILA offers undergraduate interdisciplinary courses on great books while exploring the art and architecture of Rome in order to articulate fundamental questions across disciplines.

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  • Student Life

    RILA students enjoy a unique experience in Rome.

    Student Life

Review of RILA Academic director Gabe Pihas’ book in The New York Review of Books

SJC Dean, Sarah Davis, about her experience teaching RILA summer program

https://www.youtube.com/watch?v=iySRxYaN30o
https://www.youtube.com/watch?v=q6FRmQ-wlhA
Do I need to bring my laptop?
You don’t need to bring your laptop for the program if you are not taking the course for credit. However, in order to get credit for the program, you will need to ...
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Do I need a VISA?
American citizens do not need a VISA to enter Italy if they stay for up to 90 days. You will need a VISA only in case you plan to stay for more than ...
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What kind of clothes will I need?
Summer in Rome is generally pretty warm, and at times can get hot. Bring light, comfortable clothes. During tours, you may spend a lot of time walking in the sun ...
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Do I need a passport?
Yes, you do. If you don’t have a passport yet, please make sure you apply for it as soon as possible. Passport applications may take up to six weeks to process ...
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Will my cellphone work in Italy?
RILA is committed to its students’ safety and security, so we require each student to have an Italian cell phone at all times while enrolled in our courses ...
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RILA offers undergraduate interdisciplinary courses on great books while exploring the art and architecture of Rome in order to articulate fundamental questions across disciplines.

Discussion based classes on philosophy, literature, and history are designed together with excursions led by art historians and classicists through Italy’s artistic heritage.

Our faculty and advisory committee combines professors from the very best American universities and college core text programs with important Italian art historians and cultural managers.

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More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese.  #romeinstituteofliberalarts #rome #galleriaborghese
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More from Painting and Poetry in the 17th century, the exhibition opening last night at the Galleria Borghese. #romeinstituteofliberalarts #rome #galleriaborghese
2 days ago
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1/6
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
Painting and Poetry exhibition opening at the Galleria Borghese last night.  A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself.  #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
romeinstituteofliberalarts
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Painting and Poetry exhibition opening at the Galleria Borghese last night. A series of artful poems about paintings by the 17th century poet Giambattista Marino (from his collection “The Gallery”) are paired with their subjects. An exhibition for a reflection on art itself. #romeinstituteofliberalarts #rome #galleriaborghese #paintingandpoetry
2 days ago
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2/6
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
romeinstituteofliberalarts
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Grateful for the autumn light in Rome, and for the city itself. #romeinstituteofliberalarts #rome
1 week ago
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3/6
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
Santa Maria Sopra Minerva is the only gothic church in Rome.  This gothic church is a kind of jewelry box for displaying art of later periods.  It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi.  The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
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Santa Maria Sopra Minerva is the only gothic church in Rome. This gothic church is a kind of jewelry box for displaying art of later periods. It is a Dominican church, hence the large chapel dedicated to Thomas Aquinas with paintings by Filipino Lippi. The chapel has a sotto-in-su view of the Virgin and a chorus of angels, relatively novel at the time. (I am puzzled by the figure labeled “Manicheus”…his face is sometimes taken to be Lorenzo dei Medici, but also looks a lot like Dante…) Also here is Michelangelo’s sculpture of the risen Christ and Bernini’s monument to Maria Raggi. #romeinstituteofliberalarts #santamariasopraminerva #michelangelo #aquinas
1 week ago
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4/6
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes.  Often he uses his art for monumental sculptures that have a cinematographic feel.  In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
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Pietro Canonica’s sculpture used Donatello’s stiacciato or “flattening” technique for making backgrounds for his relief sculptures, giving him vast spaces for battles or natural scenes. Often he uses his art for monumental sculptures that have a cinematographic feel. In the Borghese park, a free, but little visited house museum for the artist contains most of his work, as well as ancient sculpture found around the park grounds. #romeinstituteofliberalarts #pietrocanonica
1 week ago
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5/6
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer.  Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games.  #romeinstituteofliberalarts #borromini #rome #laterano
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Borromini’s reconstruction of the Lateran basilica often focused on perspective, using the portals as frames for chapels or for other intermediary frames behind them, often echoing or juxtaposing their shapes. Alternating straight entablatures and curved arches create rhythms as the eye ascends vertically and at the same time in terms of lessening distance from the viewer. Similarly he restores medieval tombs in the Lateran by inserting pieces of them within architectural features as if in elaborate frames with their own perspectival games. #romeinstituteofliberalarts #borromini #rome #laterano
3 weeks ago
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6/6
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Admissions

Admission requirements, application procedures, deadlines, tuition, financial aid, and more.

Undergraduate Courses

Discussion based classes on philosophy, literature, and history are designed together with excursions led by art historians. RILA classes will go on a number of excursions each week. At least one excursion will take us outside of Rome…

Student life

Small practical details can make the difference during your time in Rome. We have thought about them all. Getting informed about them will help you plan ahead.

Locations


Students will be accommodated in a student house located in a quaint and trendy residential neighborhood right next to the historic center, making possible daily exploration of all the historic areas of Rome. Classrooms are at walking distance from students' housing.
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